Tuesday, September 28, 2010

Edible Art


How about creating a painting that you can eat? Sounds weird ? But believe me its possible. It is CHOCOLATE PAINTING. You can use this kind of painting as a cake topper, as a piece of candy or as a personalised gift. The best part is that you can make it yourself . Don’t worry,  it doesn’t require any special equipment or outstanding drawing skills. You can choose any motif you want, be it pictures of friends and family, handwriting, an elegant pattern, or the movie star you have a crush on – almost anything can be turned into an accurate chocolate picture. Lets now see how a chocolate painting is made. I m sure that it will change your perception that painting isnt fun.

You will need:
- Printer and paper
- white parchment paper
- baking spray or oil
- tape
- cutting board
- white chocolate
- dark chocolate
- clean thin paintbrushes
- toothpicks

Step I:
Find the picture you'd like to paint, or make it yourself.Pictures with high contrast work best.With a picture editing software, make it a black and white picture.Then turn up the contrast so much that it only has two colors: Black and white.Flip it horizontally and print the result.

Original picture



Altered picture
Step II: Preparing the picture- Now tape the picture to the cutting board.Tape the parchment paper on top of it.Put some cooking spray or oil on a kitchen towel, and wipe the parchment paper with it to lightly grease it.
                                                                                 


                                                                              
                                                        
Step III:
Melt the chocolate- Break the dark chocolate into pieces and melt it in the microwave or in a double boiler.


Step IV:
Using a paintbrush or toothpicks, paint the dark areas of the picture.Put it in the fridge until it is completely hardened.

                                                                              

                                                                      

Optional: Application of mid tones


                                                                              
Step V:
Adding the white chocolate-Then melt the white chocolate and pour it over the whole design, the thicker, the better. This is the easiest step because you just have to splash it and disperse.Let this harden completely as well.





Step VI:
All done! Now you should be able to flip the chocolate piece over and peel off from the parchment paper.



TIPS:
1) If want to make a coloured chocolate picture, you can do it by mixing white chocolate with the different kinds of food colourings available in the market. I will suggest not to use liquid food colouring because it results in a rather bad chocolate texture. I guess it’s better if you work with liposoluble food colouring or powder alternatives. You can also think of other ways to colour white chocolate naturally. For example you can mix white chocolate with green tea powder to get green color.

2) Mirror the image if you have handwriting on your picture.

3) To get midtones mix dark and white chocolate together. When drawing, it’s okay to overlap the dark chocolate areas since it won’t shine through later.

4) Be careful not to use overheated chocolate or your previous work will melt away! Heating the chocolate for 1-2 minutes is sufficient.Shake the picture a bit to prevent air bubbles.

5) When you peel off the final thing dont touch it with bare hands.Use gloves or napkin.

HAPPY PAINTING AND HAPPY EATING!!!

Monday, September 27, 2010

What your favourite color says about you?

Colors are intrinsically woven in our lives.They are all around us.Interestingly what we dont know is that color and individual personality traits have a close relationship. Just as our personalities continually evolve, the colors we prefer also change through our experiences, environment, age, and sex.People have different tastes regarding the spectrum of colors, and this can actually tell us something about who they are, or how they are feeling on a particular day. In fact changes throughout your life can/will cause you to change the preferences of your likes and dislikes, which is just as well since the same old thing every day would become boring. So, as you get older and more mature, you will find that you like different shades, flavors, and even scents. This is neither good nor bad; it just means you are changing in some way.

Now think of your favourite and see what it says about you:
Black
Like: This is rarely chosen as a favorite color because it is actually the negation of color. The person who chooses black may have a number of conflicting attitudes. You may be conventional, conservative and serious, or you may like to think of yourself as rather worldly or sophisticated, a cut above everyone else or very dignified.
Dislike: Since black is the negation of color, it may be a total negative to you. It is the eternal mystery, the bottomless pit, the black hole. You are uncomfortable with the super-sophisticated and feel insecure in their company. You like real people and are not dazzled by dignitaries.

Blue
Like: The color of tranquility and peace, blue tends to be the most preferred color universally. Although cool and confident (or wishing to be), blues can be vulnerable.
Dislike: A dislike of blue may mean restlessness-a need to break away from the sameness that bores you. Perhaps you would like to change your job, or even your life, and long for more excitement.

Brown
Like: The color of Mother Earth is the hue that is associated with substance and stability. A preference for brown means you have a steady, reliable character with a keen sense of duty and responsibility. Family life is very important to you.
Dislike: You probably fantasize about a lot of things, perhaps traveling with a circus or racing cars. Novelty excites you and routine drives you crazy.

Gray
Like: People who prefer this most neutral of all shades are carefully neutral about life. You like to protect yourself from the hectic world, wrapping yourself with the security blanket of a noncommittal color. You are the middle-of-the-road type, cool, conservative, composed and reliable.
Dislike: To dislike gray is to dislike neutrality. You would rather be right or wrong, but never indifferent. Routine bores you. You look for a richer, fuller life.

Green
Like: Nature's most plentiful color promises a balance between warmth and coolness, so green people are usually stable and balanced types. This is the good citizen, concerned parent, involved neighbor and PTA member--the joiner of clubs and organizations. You are fastidious, kind and generous.
Dislike: Since lovers of green are usually very social and are joiners, dislikers of green will often put these qualities down. You may have an unfulfilled need to be recognized that causes you to pull away from people rather than join them. Yours is a no-nonsense approach to life. You don't like others to be coy with you--you would rather prefer them to be direct. Nostalgia is not your thing; you live in the present.

Orange
Like: Orange is a combination of red and yellow, so it takes on many of the characteristics of both colors. It is vibrant and warm, like the autumn leaves. Orange has the physical force of red, but it is less intense, less passionate. Lovers of this color work and play hard ,are adventurous and enthusiastic.
Dislike: Life is definitely not a dish of gumdrops for the rejecter of orange. Nothing flamboyant appeals to you. You dislike too much partying, hilarity, loud laughter, showing off and obvious intimacy. As a result, you may be difficult to get to know, if not a loner.

Pink
Like: This is a softened red, so it tempers passion with purity. It is associated with romance, sweetness, delicacy, refinement and tenderness. Pink people are interested in the world around them, but they do not throw themselves into participating with the ardor of the red person. Violence in any form is upsetting to you.
Dislike: Soft, medium tints do not evoke much emotion--many people are indifferent to pink. It is sweetness, innocence and naive--red with the passion removed.

Purple
Like: This hue has an aura of mystery and intrigue. The purple person is enigmatic and highly creative, with a quick perception of spiritual ideas. Purple is often preferred by artists. People who like to consider themselves different from the common herd or unconventional often prefer purple.
Dislike: If you dislike purple, you probably have no desire to be artistic or creative. You feel that purple represents snobbery, falseness, exaggeration and vanity. You pride yourself on your sincerity and genius, and sometimes misjudge others because you do not like them or approve of them.

Red
Like: Just as red sits on top of the rainbow, you like to stay on top of things. You have a zest for life. Remember that red can speed up the pulse, increase the respiration rate and raise blood pressure. It is associated with fire, heat, and blood, so it is impossible to ignore. And so are you (or would like to be).
The key words associated with red are winner, achiever, intense, impulsive, active, competitive, daring, aggressive and passionate. Red people are exciting, animated, optimistic, emotional and extroverted. Desire is the key word; they hunger for fullness of experience and living.
Dislike: Since red is primarily associated with a zest for life, excitement and passion, a dislike of this hue could mean that these feelings are a bit much for you to handle at this point in your life. Perhaps you are bothered by the aggressiveness and intensity that red signifies.

White
Like: White is cleanliness and purity, and those who prefer white are neat and immaculate in their clothing and homes. You are inclined to be a cautious buyer and shrewd trader, but critical and fussy.
Dislike: Since white represents cleanliness and purity, to dislike white does not exactly mean that you are a messy person, but it does mean that you have never been obsessed with order. You are not very fussy. Things that are a little off-center are much more interesting to you than those that are perfectly in line.

Yellow
Like: Yellow is luminous and warm because it is strongly associated with sunshine. It sparkles with optimistic activity. Yellow people are highly original, imaginative, idealistic, creative, artistic and often spiritual.
Dislike: If you dislike yellow, you usually dislike the qualities that this luminous color has. You are a realist--a practical, down-to-earth person and probably critical of others who are not.

Tools and mediums used for painting

Have you ever wondered what makes a painting unique? Why is no painting like another? What makes a painting better in comparison to other paintings?
You might think that its the artist's capability and perception that makes the difference but its not just this. The painting tools and mediums opted by the painter also majorly impact how a painting finally turns out to be. Painting tools are the instruments without which a work of art isnt possible. Infact these seemingly trivial and unacknowledged things make beautiful pieces of art what they are.Some of the painting tools are:

1) Paints- The primary and obvious thing required to make a painting. Paints are basically a combination of pigments and a binder, which is oil or water based. The proportion of the pigment to the binder determines how glossy the paint is. Ther are 3 basic finishes, depending on this proportion: matt, glossy and something in between which is referred to as semi-gloss, eggshell, silk, satin.


2) Canvas- Canvas is a heavy-duty fabric usually made of cotton. It has a simple weave and is ideal as a base of paintings. A gesso coated canvas is stretched across a wooden frame before it is used for paintings.Earlier linen canvas was popular but by the turn of the 19 th centuy cotton canvas gained popularity. However linen is still preffered by professional artists because cotton stretches more than linen. 



3) Paintbrushes- Paintbrushes are integral to any painting. They are needed for applying colors on the canvas. They come in different sizes.Paint brushes are made from stiff or soft hair, which can be either natural hair or synthetic fibres. Soft brushes are ideal for thin paint which spreads easily, and for detailed work as they form a sharp point which allows for precision in painting. Robust, hard brushes are ideal for pushing around thick paint and for creating brush marks in the paint.Modern synthetic brushes are excellent and have the advantage of being cheaper than natural hair.



4) Palette- A palette in the original sense of the word, is a rigid, flat surface on which a painter arranges and mixes paints. ther are numerous types of palettes available in the market, namely- plastic and acrylic palettes, porcelain palettes, aluminium palettes, wooden palettes, disposable palettes and palette cups.


5) Palette knives- A palette knife is a long, straight blade or spatula that is used for mixing paints and scraping a palette clean, and at times for applying paint onto a canvas. A palette knife can be made from metal, plastic, or wood and will either be completely straight or have a slightly cranked (bent) handle, which takes your hand away from the painting surface and helps keep your knuckles out of the wet paint you've just applied.

6) Scrapers and sandpapers- Both Scrapers and Sandpapers are used to remove small amounts of material from surfaces of paintings, either to make them smoother or to remove a layer of material.





 Different mediums used in painting:-There are different mediums in paintings that are used today:

Acrylic- Acrylic is a fast drying paint. It contains pigments suspended in polymer emulsion. Acrylic paints are usually diluted with waters.

Pastel- Another medium that is being used is the Pastel. Pastel comes in three different types, the soft pastels, the hard pastels and the pastel pencils. The soft pastels are the most widely used; it has a higher portion of pigments and less binder. The hard pastel has a higher portion of binder and less pigment. The pastel pencils are pencils with pastel leads.

Fresco- Fresco paintings can often be seen on walls and ceilings. The word fresco came from the Italian word fresco (fresh). There are three types of fresco, the Buon fresco, which consist of painting pigments mixed with water on a thin layer of plaster. Secco, which is done on dry plaster. The pigment requires a binding medium such as egg (tempura, glue or oil to attach pigments). The Mezzo-fresco,In this type, the pigment should only penetrate slightly on the plaster.

Gouache- derived from Italian guazzo, water pan, splash or body color. This medium is also dilute in water. It differs from water color considering that its particles are larger, the ratio of pigment to water is much bigger and white pigment such as chalk is present on it.

Oil -oil is a type of slow drying paint. It consists of particular pigments suspended in a drying oil. This kind of medium does not dry quickly. It blends into the surroundings and allow the blending of color. It produces vivid colors with a natural sheen and distinct context. It provides a surface translucency similar to human skin making it perfect for portrait painting.

Tempera -another medium is the Tempera. It is a permanent fast drying painting medium consisting of colored pigment mixed with water soluble binder. Tempera paints dry rapidly and it allows for great precision. When dry it produces smooth matte finish. Tempera painting has been found on early Egyptian Fayum mummy portraits.

Water Color- in water color the pigments are suspended in a water soluble vehicle. The art of water color began in the cave paintings of the Paleolithic Europe, used in the manuscript illumination by the Egyptians and continued to flourish in the renaissance period. Water color paint consists of four principal ingredients; colorant (commonly pigment), binder, the substance that holds the pigment in suspension and fixes the pigment to the painting surface, additives, substance that alter the viscosity, hiding, durability or color of the pigment and vehicle mixture, lastly, the solvent, the substance use to thin or dilute the paint for application and that evaporates when the paint hardens or dry.

Examples: 1) Acrylic painting 2) Water color painting 3) Fresco 4) Oil painting

 



                                                                                                                                      

                                                                                                                                             



                                       


                                                                                                                                        
     

Wednesday, September 22, 2010

History as seen through Paintings

Paintings are not just random pictures filled with colors.They emote. They are a living language.They have their unique grammar, rules, meaningful icons, motifs and images. Paintings are not only a means of expression but they also depict history. Different types of Indian paintings evolved in different periods of history. There are several types that can be recognised, belonging to different regions and cultures.Some of them are as follows:-

1) Prehistoric/ Cave paitings- Bhimbhetka is a place in the state of Madhya Pradesh where prehistoric paintings are discovered in numerous caves. The paintings span over a period of 600 years starting from upper Paleolithic to early historic and medieval times. The prehistoric men used blunt stone tools to engrave and used branches and twigs as their brush. For colors they used different minerals as well as stone, earth and coals. Cave paintings of Ajanta and Ellora refer to the Buddhist monks who employed painters to draw the life and teachings of Lord Buddha.

2) Mughal paintings- Depict Indo-Islamic style of painting and flourished in the ateliers of Mughal emperors including Akbar, Jehangir and Shah Jahan, which describes neatly the court life of Mughal society.



3) Tanjore paintings- These are classical south Indian form of painting which evolved in the village of Thanjavur in Tamil Nadu.These are well known for their compactness of form and vivd colors.

 

4) Rajasthani Paintings- These are miniature paintings of the finest quality which are made on both paper and large pieces of cloth. Different parts of the state stick to their own style and are thus recognised as different schools of painting. A number of famous schools of painting are Mewar, Hadoti, Marwar, Kiashangarh, Alwar and Dhundhar.


5) Madhubani Paintings- Women belonging to the small town called Madhubani and other villages of Mithila mainly do Madhubani paintings. Formerly they were made on mud walls of small huts but now they are done on paper and clothes also. The subject involves Hindu Gods and Goddesses, natural objects like sun and moon, sacred plant like Tulsi and its speciality remain in use of vegetable colors. These paintings are like a mirror, which reflects the values and morals of the society. It has a vernacular flavour and if observed carefully one will always find the psychology and belief prevailing in the society. This form of painting deals with significant and expressive images in its own ways. 


                                

6) Pahari Paintings- It is a miniature form of painting evolved in the hilly areas of Himachal Pradesh, Punjab, Jammu and Kashmir during the period of Rajput rulers. These paintings have the beautiful scenes of Himalaya as the backdrop. There are 3 distinct schools of painting under this category named Basholi, Guler- Kangra and Sikh.



7) Lepakshi paintings - It is a form of wall painting made on the walls of the temple of Leepakshi, a small village in Anantpur  district in Andhra Pradesh.




8) Warli Paintings- Warli painting is an ancient tradition of Indian folk art of painting of a tribe known as Warli belonging to  Maharashtra. Most of Warli paintings are dominated by geometrical designs; and crooked lines and dots form the the units of these compositions. The monochromatic tribal paintings express different types of folk imaginations, customs and beliefs. The most frequent theme of Warli paintings is marriage. The people consider these paintings sacred. Men and women dancing in circles, during various celebrations and fauna and flora are also another themes typical to the Warli Paintings.



9) Patachitra- This form of painting flourished in the state of Orissa and is made on cloth with extremely vivd colours and mythology based subject.



These were some of the various traditional forms of Indian paintings that i am aware of and wanted to share with all of you. Hope you enjoyed going through the various cultures of India through paintings as a mode.

My work:-
I have always been amused by the beauty of Taj Mahal but i wondered why this symbol of love is white. On pondering i came to believe that since love is the most purest feeling one can experience thats why the color white because white is what we associate with purity, but think of it doesnt love also fill our life with colors, doesnt it give us all the happiness in the world so i thought why not give this amazingly beautiful tribute to love a colourful twist. Here it is:-



Though i made this a long time back,it still is very close to my heart because as they say " Love is for Eternity"

Wednesday, September 15, 2010

What is painting?

Painting is a vision
Painting is visibility
Painting is silent poetry
Painting is learning to see
Painting is self made reality
Painting is self actualisation
Painting is personal freedom
Painting is iconic communication
Painting is the triumph of memory over time
Painting is a presentation of representations
Paintings is the intersection of the intentional and unintentional
Painting is about the ambiguity that exists between a real object, one's mental image of it and its painted   representation
Painting is not only knowledge but also the divine power capable of reproducing all of the Almighty's work that can be experienced and seen.

The best art amazes us because of what the artist has left out, not because of what he or she has put in. It is the artist's job to only put in the information that speaks to the relevant issues.
Painting is not just the practise of applying paint,pigment,colour or other medium to a surface, it is a potpourri of light, shadow, colour, volume, form, placing, distance, proximity movement and repose. It is a mode of expression. It manifests the conceptual intention of the practitioner.

Painting can be discussed in terms of evolution, techniques, movements, types, cultures but for me painting is more than all this. Everything i observe and feel needs a channel to be expressed and that channel for me is painting.What Henry Ward Beecher once said holds true for me, " Every artist dips his brush in his own soul, and paints his own nature into his pictures."

Two of my works:-